373 безплатни аудиофайлове за "Enevelope Filter"

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

Same patch 3 drones. I let chaotic lfos control pwm and filter.

This is a recording of macbook siri saying "you have arrived at your destination", it has a filter to sound 'smaller' and is left panned. See profile for a cleaner version.

Helicopter chopper techno rendition using filter sweep of strega and sequenced through 0-ctrl and 0-coast. Done at 32-bit fp and 48khz with markers for morphagene. Enjoy!.

A snippet of a jam session.

A recording of my mini-fridge that i split into two components - the hum (this) and the evaporator thing that makes all the drippy sounds. I separated them so people can change the volume of each element, since i noticed with my fridge that you can only really hear the hum if you're really close, but hear the drippy sounds from quite a distance away, even if they're really quiet. Recorded with a zoom h4n pro, used rx7 to separate the elements. As always, i've got the un-modified loop in my "raw recordings" pack.

Filtersweep with the sequential ob-6 sem-state-variable-filter. C1. Rme babyface pro fs.

This loop was accidentally created when some input cables were connected wrong. It reminded me of something the crystal method could have created.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

A digital imaginary bubble.

Acustic guitar fender recorded with some amps from pod hd400 and some philters,eq and gross beat effects. I saved it in - 6 db with a tempo 130bpm.

Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.

This is a note played on my guitar and slowed down a ton. . . With some added filtration. . . Works very interestingly as a pad sound.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

That's the security instructions you get when you enter the greyhound bus from new york to montrealrecorded 16bit 44,100 with h4n.

Experimental sound.

This is a 2 bar 120 bpm bassline with one dry and one wet play thru. The effect on the wet half is a simple filter morph, raising the cut-off on a low-pass filter thru-out the loop.

This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.

Trying to find some nice sounds on my modular. Playing around. . . All modular. The bass drum is a filter "plopp".

Heavily processed vst synth sounds using various filters, distortion, phasers and reverbs.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Simple beat in c.

Absynth5 + korg m3 karma midi + 909.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

(recorder: zoomh4npro 2018)(microphones: roland binaural earbuds / microphones). A recording of pool equipment operating to filter water and supply a hot tub. This seems to be a great sound for any engine-room. This audio may be applicable in many situations. Enjoy!. - christopher.

Created using lmms and the zynaddsubfx plugin with loads of automation on the filters.

These are some freesound works i've glued together. I added a wobbly lfo to it. If you like this sound make sure you check my tunes on sc: http://soundcloud. Com/beverlyhillsboy.

Just a little bit o work i decided i decided i'd share tonight. Use as desired freely.

An short 909-like open hat with "minimal" sonority.

Made with roland jd-xi + protools + roland quad-capture.

Creating slight variations in a simple beat with control voltage. All analog gear in my modular synth. Slightly "mastered" in audacity (normalization, compression, limiter).

A 2 note sequence i recorded from behringers crave (sequence is programmed on the crave) inot logic. I played with the filter cutoff manually while recording. Just recorded not edited.

Electronic minute no 31b - full modular acid remixlow mp3 quality december special noob versionfully analog modular synth fjant acid. Basically the same patch as 31. . . . Evaluation of patch/soundentertaining - ?. Wiggling during recording. Switching channels on or off in the beginning and end.

808 + korg m3 + arturia minibrute.

This is some small patterns i made and mixed basic filters time pitch all accross and finally put some bells with a very very short programmed arpeggiator. You will not hear the arpeggiator over all the other effects ;).

A drone sound i created using a dsi mopho, recorded in logic. I didn't use any fx. It's a filter sweep with some resonance and lfo 1 is modulating pan position.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

Bass sound processed in abelton live. Overdirive @ 91%, auto-filter set a certain way, then a nice erosion modulating up and down. Hope you like, enjoy.

A very hard hitting sub kick drum. A filtered heavily compressed 808 that's been dropped half and octave.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

Filter sweep with modded dirt filter.

Playing with diy polivoks filter. Selfresonance, driven by lfo, no audio at input, just 50hz hum.

It does not sound electronic in the way i like, but. . . Sequencing modular etc with fl studio. Totally noob!.

A loop with hi-pass filtering in action!.

Pouring water into a glass with an eco-filtro.